Table Of Content
- CITYBUSINESS IN PRINT
- Additional Benefits of Becoming A VIP Member
- Construction & Real Estate
- PEOPLE IN BUSINESS
- Explore the beautiful architecture and deep history of one of New Orleans’ oldest and most famous neighborhoods
- Museum Blog
- Gypsy Rose Blanchard Cuddles Up to Ex-Fiancé at New Orleans Music Festival

This Garden District gem has played host to its fair share of well-to-do residents for over 150 years. It began life as home to Joseph Carroll, a wealthy cotton factor from Virginia (and a good friend of Mark Twain). Fate seemed determined to link the Carroll-Crawford and Morris-Israel houses together even before another was built between them when Carroll’s son Joseph W. Between 1889 and 1920, the home belonged to one of the most prominent New Orleanian families of the era, the Walmsleys—including T. Semmes Walmsley, the 49th mayor of New Orleans. Valentine Merz, the founder of the Faubourg Brewing Company, lived underneath these intricate cast-iron galleries until 1932, when modernist artist Josephine Crawford and her husband Charles, a respected engineer, purchased the home. In 1926, another Tulane Medical College professor Dr. Ralph Hopkins—a dermatologist famous for his work in Carville, LA, the national quarantine residence/research hospital for people with Hansen’s disease (leprosy)—purchased the home, which remained in his family for over 40 years.
CITYBUSINESS IN PRINT
The heartbroken Morris never remarried, and his mother-in-law Jane moved in to help raise his other children with the help of five live-in servants. His eldest daughter Jennie inherited the home and married Dr. Charles Chassaignac, a medical professor at Tulane and a founder of the Ear, Eye, Nose, and Throat Hospital. Much like her mother, Jennie died after barely a year in ownership, leaving the home to her then-4-year-old daughter who she named Elizabeth in her mother’s honor. Dr. Chassaignac remarried and had five more children who all lived in the house until the newly-married Elizabeth reached maturity in 1921 and sold the property—home to the Morris family for over 50 years—to William Feldman. This “cottage,” completed in 1880, was commissioned by Thomas D. Miller, then-director of Crescent City Oil.
Additional Benefits of Becoming A VIP Member
It's a chance to see some of the secret sanctuaries of the families who live in the French Quarter. Many visitors to New Orleans are surprised to learn that the French Quarter is a living, breathing neighborhood. If it weren’t already obvious, nineteenth-century New Orleans architects were deeply in love with cast-iron, and while not as imposing as the neighboring Robinson mansion, the Musson-Whitney-Bell House stands out in its subtle yet intricate cast-iron detailing. The “lacy” galleries surrounding the first and second-story verandahs are complimented by a diamond-motif frieze and topped with even more ornate cast-iron. This home and its spacious garden area were constructed circa 1852, with the design attributed to James Gallier Jr., another renowned New Orleans architect.
Construction & Real Estate
There’s nothing like joyous gospel music to feed your soul and comfort food to feed your hunger. "Best sandwiches and at amazing prices in the French quarter. Theres a ton of history here and the chef came out to tell us about how the building used to be an import market and was owned by the first elected mayor of New Orleans. Try the muffuletta, and enjoy the walk through New Orleans history." By 1932, with medical science contributing to a decline in the city’s orphan population, the Chartres Street property — home over the years to an estimated 9,000 orphans — was shuttered and sold. You can find double shotgun houses in the Greek Revival style dating from the 1830s to 1860s, especially in the Irish Channel and in Esplanade Ridge.
Take a self-guided tour of the history of New Orleans through these iconic homes and buildings
The likeness was so convincing that, according to Mary Doullut, a steamboat ran aground in front of the house one night, mistaking it for a docked vessel in the dark. The family fell so in love with their home, that they built the second Steamboat House in 1913 catty-corner to the original, both adorned with strands of large beads on the upper galleries and intricate pressed-tin filigree on the roof edges. Though the bungalow isn't a distinctly New Orleans house type, it is one that adds considerable visual interest to the streetscape, especially in early 20th-century neighborhoods such as Gentilly Terrace, Broadmoor and Edgewood Park. Bungalows have asymmetrical facades and floor plans, and are often built in the Craftsman style. In the most urban neighborhoods, townhouses are built at the front property line and have a cantilevered balcony on the second floor. Located in one of the few remaining 19th-century French Quarter stable buildings, The Exchange Shop follows the long tradition of Woman’s Exchanges across the country and offers local artisanal goods.
PEOPLE IN BUSINESS
Along with a garden tea house, Mrs. Strachan also added two greenhouses to the property, where she cared for her famed orchids. Michel Musson, who originally commissioned Gallier for his family home, was a cotton merchant and factor...and Edgar Degas’ maternal uncle. The Mussons left in 1869 and were the last to live in the home with its original design—three first-floor bays topped with balustraded balconies. It was the second owner Charles Morgan Whitney, one of the founders and first bank directors of what is now the Hancock Whitney Corporation, who removed the bays in 1884 and added those gorgeous galleries. The final notable owner was Bryan Bell, described as a civic and church activist and businessman, though these greatly downgrade the numerous accolades and contributions he received and gave in his 90 years.
New Orleans Firefighters investigate a Treme House Fire - WDSU New Orleans
New Orleans Firefighters investigate a Treme House Fire.
Posted: Thu, 01 Feb 2024 08:00:00 GMT [source]
Dan Robin, Jr., one of the house’s former owners, said that this attention to detail made sleeping in the main bedroom feel like sleeping in a fancy treehouse. Robin also noted that throughout his years owning the home, Ledner was always happy to talk about the home and answer any questions Robin may have had. Dr. Biamenti purchased the house in 1834 and added the fence in 1856 from Wood & Perot in Philadelphia. Currently, the house is the Cornstalk Hotel, which has hosted a myriad of guests over the years, including Harriet Beecher Stowe and Elvis Presley. This tour, on a weekend in mid-October, lets you into some of the hidden gardens of the French Quarter homes.

Museum Blog
Though the house is practically lined in intricate cast-iron, the stand-out feature by far is the front fence’s cornstalk and morning glory motif, a design rumored to have been a gift for his Iowa-native wife Margaret. Though it’s far from the only cornstalk fence in New Orleans—the creator Wood, Miltenberger & Company are also responsible for the namesake fence of the Cornstalk Hotel in the French Quarter—the addition of the morning glories is particularly unique. The asymmetrical design accommodates a small “conservatory” shielded by a curved two-story bay, a shape that’s made even more unique by the curved cast-iron gallery around it (most galleries are rectangular, as they are on the other homes on this list).
Items listed here are representative of services and supplies that are part of the treatment and care of children at St. Jude. The cost of each item or service is an approximation, and will vary based on actual costs incurred and individual patient needs. Proceeds will be used for the general needs to run St. Jude, where no family ever receives a bill for treatment, travel, housing or food.
If you dream of the retro, quirky designs of ages past, then you won’t want to miss the buildings listed below. There are many more mid-mod delights scattered throughout the neighborhoods of Lakeview and Gentilly if you’re simply looking for a relaxing drive and a bit of that Lake Pontchartrain breeze. Joining them were the city’s first three Marianite nuns, a separate order but part of the same Congregation of the Holy Cross religious family. They, too, would later go on to found local schools, including Holy Angels Academy in the Bywater and Our Lady of Holy Cross College (now University of Holy Cross) in Algiers. Inspired by the imposing Parisian architecture the Baroness favored, the distinctive rowhouses were intended to serve as both elegant residences and retail establishments.
Bell was not only a decorated World War II veteran— including a French knighthood in the Legion d’Honneur— he also co-founded what is now the National World War II Museum in part due to his own participation on D-Day. This beautiful combination of Italianate and Greek Revival-style architecture is another home that now serves as something more. Behind its intricate iron gate, the pristine Women’s Opera Guild House has long stood as a base for the cultivation of New Orleans’ artistic scene. The original house was built in 1858 for merchant Edward Davis by William Freret (cousin of the previously-mentioned James Freret).
As the sun sets, the party doesn't stop – it evolves into an unforgettable celebration that captures the essence of the Big Easy. Uncle Joe Impastato, the visionary founder of Napoleon House, had a discerning palate that leaned away from potent alcoholic beverages. Acquainted with Pimm's Cup during his travels in England—a refreshing, low-alcohol libation perfect for summer—he introduced it to Napoleon House. As a trailblazer, Napoleon House proudly became the first establishment in America to offer Pimm's Cups, surpassing global sales records, second only to the historic London bar that birthed this iconic drink.
Straying far from the typical Greek Revival and Italianate styles of its neighbors, this picturesque Queen Anne-style cottage has belonged to the Trufant family since its construction in 1891. But, before Samuel and Bertha Trufant built this legacy home, the land and two brick buildings on it belonged to Henry du Pont, heir and former owner of what became the DuPont chemical company. There’s a bit of irony to see this delicate and charming home—decked out in gingerbread house-style gables and spindlework—standing where an explosives factory once had.
Carrollton, Mid-City and Broadmoor are home to hundreds of examples of raised-basement houses, identifiable by the prominent stairs that lead to the second-floor living space. The double gallery house is a direct descendant of the townhouse, adapted for less urban and more residential neighborhoods. Like the townhouse, it's two stories tall with three openings across the front, has a side hall and an interior stair to the second floor. Townhouses are two-story buildings, often masonry, and are found most commonly in neighborhoods such as the American Sector of the Central Business District, the French Quarter and Faubourg Marigny. Certainly the most plentiful historic house type in New Orleans, the shotgun fits perfectly in the long, skinny lots that early developers designed when they divided up their family plantations. Thanksgiving is a festive occasion in New Orleans today, but in the nineteenth century, Southern states resisted the holiday.
Sometime in the late 19th century, the distinctive octagonal bay with its delicate entablature was added to the structure. Among the highlights of this well-manicured property include the detailing around the uppermost windows, the elegant design of the front door glass, cast-iron balustrade, and the Corinthian and Ionic columns. Florenz A. Luling, a German-born merchant, commissioned the house from none other than famous local architect James Gallier, Jr. Luling made his fortune selling cotton, tobacco, and sugar in New Orleans in the 1800s, and much of said fortune was spent funding his opulent family villa. The home’s construction continued throughout the Civil War and was finally completed in 1865; however, not long after, the rumored tragedy struck the family. Supposedly, Luling’s son – or, in some accounts, both of his sons – drowned in nearby Bayou Saint John, and the heartbroken family sold their dream home to the Louisiana Jockey Club just six years later and left New Orleans behind permanently.
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